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c/o Jim Flynn |
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| Honour Kane's plays has been produced by the Public Theatre’s New Work Now, Sydney's Annual Mardi Gras Arts Festival, Actors Theatre of Louisville, BACA Downtown, New Georges, The Theatre Outlet in Allentown, PA, and Ireland's Inishbofin Arts Festival. Her work has been developed by A.S.K. at Lincoln Center Theater, London's Royal Court Theatre, Playlabs, Oregon's Portland Center Stage, Irish Repertory Theatre, and City Theatre in Pittsburgh. She holds fellowships from the NEA, NYFA (2002, 1990), a NYSCA Individual Theatre Artist Commission, a Bunting Fellowship at Harvard/Radcliffe, a Pew Fellowship in the Arts, MacDowell and Yaddo residencies, and a Berrilla Kerr Playwriting Award. Accolades from New Dramatists include an Australian National Playwrights' Conference Exchange, a Whitfield Cook Prize, and the 2003 Frederick Loewe Award. | ||
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autodelete://beginning dump of physical
memory//
"Memory ain't truth. It's a twisted
cocktail of perceptions, wants, and strategic deletions." |
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CRACKSKULL ROW
Down the back lanes where the gardens aren't kept lies Crackskull Row -- the Dublin cul-de-sac where Masher Moorigan shares a ruined house with a tribe of ghosts who dog her with the sins of '66. Masher is lost to the time when: the IRA blasted Lord Nelson from his pillar on O'Connell Street, she still had goldy hair, and her husband, Basher -- a fiddling man -- streeled the roads, busking to drink and drinking to busk. |
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IN
PIGEON HOUSE An acrobatic, hallucinatory romp through Irish theatrical history. Inspired by actual stories from Ireland's "fit-up" artists, IN PIGEON HOUSE tracks a band of kickabout actors as they travel Ireland's allover. Dramatic extravaganzas that feature variety acts, high drama, the fil-ums, and . . . raffle contests. |
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MADAME KILLER Gotham, 1878. Set in the parlors and back rooms of Manhattan Society, this Gothic Noir features Mme Restell -- New-York City's elegant and devious power broker, self-made millionaire, and underworld doctress. |
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NEBRASKA KISS |
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| This page was last updated 10/20/2004 . For comments and/or questions please contact newdramatists@newdramatists.org | ||